![]() ![]() ![]() ![]() Many of you successfully locating that page will actually find some of the tracks quite familiar as these form the basis of the most popular tracks that the movie & television production companies ask our Archive for when we supply our original German Third Reich-era music to their production sound-tracks: from Bruce Willis’s Hollywood motion picture ‘Hart’s War’ to the recent superb 2-part series ‘The Rise and The Fall of the Third Reich’ on the Discovery & History Channels, plus all the other programmes we have supplied music, combat sound-effects and my voice to. and then, if we are lucky, place an order! Besides with so many people out there merely putting up our copyrighted tracks & images on You Tube without asking our permission, we are now working on the theory of ‘if you can beat ‘em, join ‘em’… so it will be interesting to see how many people do now actually find our new You Tube page and give the 8 tracks on there a spin. However computer speakers & audio play-back has, happily, advanced in leaps & bounds and my own office computer is testament to that with high-grade speakers and a ‘boom box’ under the desk, (ooh, get me!), which plays back all my computer- stored tracks in superb high-definition, bass-led quality that is almost better than my personal hi-fi at home so now seemed the right time that we venture into the You Tube world. Finally, after many years Tomahawk Films have been dragged kicking & screaming into the on-line world of Facebook and You Tube, courtesy of a small video, (kindly bolted together by our colleague Craig who helps us out with on-line technology), which showcases some of our stunning Third Reich-era musiker images… but more importantly are set over an exciting 8-track medley of digitally re-mastered Third Reich-era schellack 78rpm records that are available to the collector & motion-picture & TV producers on CD from our Third Reich-era German Archive here in the UK.įor a while now we have been using this evocative sound-track medley on our Tomahawk Films’ website as a useful marketing tool though which pending customers, who maybe unaware of the broadcast studio-quality of our re-mastered recordings, could get a ‘taster’ of our audio output, before putting their hand in their pockets and handing over their hard-earned cash.!Īs producer, I admit I’d withstood this technical development for a long while as, way back when, with the varying quality of people’s audio-playback on their computers, there seemed little point in us spending a small fortune at Dubmaster Studios in Hampshire re-mastering our albums and getting the very best digital quality that we could from these wonderful 70-year old schellack 78rpm records, only to then find that somebody was playing back our medley through a computer with ’tinny speakers’ and so neatly undoing all our hard work in the studio in a trice! ![]()
0 Comments
Leave a Reply. |